Why Last Chapters Book V Go Behind a Gate

Some of you have been walking with Elena, Tarmo, Asdar, Karim, Mitra, Sandi and the others from Kandovan’s teeth all the way to the upper floor of the Alexander. You’ve crossed mountains, helicopters, hotel corridors and quiet phone calls with them. This next stretch—what happens between Elena and Sandi at night, and the magic that wakes up there—is where the series crosses a line.

Not a line into shock for shock’s sake, but into the core of what The COMC Files actually is:

• Chaos magic that isn’t a parlour trick but a bodily, erotic, dangerous force.
• Sandi’s obsession, which has been there from the beginning, finally stepping out of implication and into explicit action.
• Elena’s power—what it costs, who tries to own it, and why it’s never just “romance” or “kink”, but geopolitics, religion and survival written into skin.

To tell that honestly, the pages ahead need to be explicit. They deal with sex, trauma, consent and obsession in ways that are not suitable for every reader, or for open platforms that like their magic tidy and their bodies censored.

So from this point in Book V, the story moves behind a paid gate on WordPress.

It’s not because the mountain scenes “were free” and now you must pay for hotel sheets. It’s because:

• The material from here on is intense, explicit and not for minors.
• I want the freedom to write the chaos magic as it is in this world—messy, sexual, divine, political—without playing cat-and-mouse with content bots.
• Paying readers create a smaller, intentional circle: people who choose to step into this next layer with their eyes open.

If you’ve walked this far and want to follow Elena and Sandi into the rooms the hotel doors are currently hiding, you’ll find the continuation in the members-only area.

If you stop here, at the Alexander’s upper floor, you still have a complete arc: the mountain, the rescue, the hotel pause, the phone calls, the knowledge that the city already knows they’ve arrived.

Either way: thank you for reading, for caring about these characters, and for understanding that some kinds of magic can’t be given away in public corridors.

I.Ph.